The Second Line is Scottish designer Geoffrey Mann's first ethnographical and biographical body of work that uses object materiality to capture the social history of New Orleans. The animation uses an unscripted, unedited conversation between Mann and Grand Marshall Aaron Blanks that took place on a New Orleans street corner as Blanks conducted the young "All Star Brass Musicians" from the city's Treme neighborhood. Their conversation addressed not only the jazz, but how the teenagers' brass instruments transcend music to become a cultural, economic and social symbols of history, diversity, equality and hope.
The Second Line animation shows their conversation as sound waves passing through a group of cocktail glasses sitting on a French colonial serving trolley. Aaron Blanks' raw unbridled passion for giving hope to New Orleans youth is encapsulated forever as it reverberates through the forms of the cocktail set. Each undulation and deformation is a physical echo of the Frenchman Street conversation.
Shown together with the video animation, Geoffrey Mann's glass cocktail service gives a physical manifestation to this fleeing conversation. He turns to both traditional craft techniques and new digital processes to make the undulating, dancing digital forms into complicated, real crafted objects. The glassware was created in collaboration with glass artist Jochen Holz, who worked from 3D printed prototypes that had been extracted frame by frame from the animation. The cocktail shaker's brass elements have a metallic shell "grown" around a 3D printed nylon substrate, an innovative process developed for high impact, lightweight components required in space exploration
Collections - New Orleans Museum of Art
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